Introduction.
Khidrapur is a village where the river Krishna flows on three sides, and only one side is open for access to and from the outside world. Khidrapur is 60 km from Kolhapur, 39 km from Sangli, and about 280 km from Pune. Access to Khidrapur from both Sangali and Kolhapur is via various Maharashtra state highways that crisscross the area.
It is technically a nondescript village like many other villages in the area. What sets this place apart is the Kopeshwar Temple.
So what makes the Kopeshwar Temple so special that it gives Khidrapur fame? Let us find out through this blog.
Made from black basalt rocks from the Sahyadri Hills, which are at least 70 to 100 km away from Khidrapur, the construction material was transported to this place by itself, a technological wonder of the time when transportation means were Limited. It appears that the stones were mined in the Sahyadri Hills and transported to this location using bamboo crafts through various rivers, including the Krishna River, which flows right next to it. In fact, many believe that this Temple is in the riverbed itself.
| Long Shot, the Temple (Courtesy Shrihari Koli) |
Let us now visit this Temple, which is full of intricate carvings of gods, goddesses, and various animals, birds, and flowers. As we enter the temple premises through one of the entrance Gates of its Bastian-like outer periphery, the visitors immediately realise that this Temple is built in a depression and there are high grounds around this Temple where Khidrapur village is located in all four directions. Unlike many other Hindu temples where a raised platform is used to further construct the main temple, this Temple rises from the ground, and that seems to be a reason that this Temple did not suffer much damage due to earthquakes, which are a common occurrence in this belt.
The base of this Temple is made up of an elephant layer, consisting of various elephant statues made out of solid rocks on the three sides of this Temple, and the beauty is that no two elephants are the same. Unfortunately, various invaders following different religions other than Hinduism have broken most of the elephant statues, and many other statues inside this Temple have been defaced. On these three sides where elephant statues make a series around the temple, there is one different thing, that thing is, in the centre of these three sides, one can see Lord Shiva riding his Nandi. Even these statues are broken.
Right above the elephant layer is the human layer. While it is called the human layer, the statues in this layer are a mix of Gods, goddesses, various female forms like dancers, etc., and male forms, including a Chinese and an African man.
| One of the Elephants of the Elephant Base of the temple (Courtesy Shrihari Koli) |
Swarg Mandap.
The first structure or part that a visitor comes across is the Swarg Mandap. The speciality of this Swarga Mandap is the 48 stone pillars that support its roof. The Swarga Mandap has a direct circular opening to the sky. This Temple has various spiritual significances, and this circular opening of the Swarg mandap to the sky is part of this spiritual thinking. This opening represents human beings' direct connection to the sky, and thus to heaven.
| Kirnottsav, View from the Garbha Gruha (Courtesy Shrihari Koli) |
| Kirnottsav, Sun Rays illuminating both the Lingas (Courtesy Shrihari Koli) |
| Moon right in the center of the Swarga Mandap Opening (Courtesy Shrihari Koli) |
| Deepottsav, Khidrapur (Courtesy Shrihari Koli) |
It seems that Swargamanda served as a place for artist singers and dancers to perform in the service of Shri Kopeshwar Mahadev.
Sabha Mandap.
This is the second part or structure that we see in this Temple. This structure is supported by 60 well-carved black basalt stone columns. The main columns of this Mandap have Kirtmukh carved on them. Kirtimukh was a demon with a boon to have his face carved on every Shiva temple entrance, and his never-ending hunger was to be satisfied by eating the sins of every devotee who crossed Kirtimukh at the entrance to enter the Sanctum Sanctorum. Interestingly, no two faces of Kirtimukh carved on these columns have the same decoration.
The Sabha Mandap also has a central raised platform with a circular stone on it. The circular stone in both the Sabha Mandap and Swarg Mandap seems to be meant as a stage for the performance taking place in this temple.
There are a large number of carvings on columns, the roof, and other structures, and connoisseurs of art will spend a couple of hours here enjoying the carvings.
A careful look at the entrance of Swarg Mandap reveals that it has no symbols that are usually found on the entrance of a temple. It is the Sabha Mandap entrance that has all the symbolism of a temple entrance. That is a direct pointer to a thought that the original temple did not have Swarg Madap, which must have been built by a later ruler subsequently.
Sabha Mandal also must have served as a place of discourse, debate, and various performances. Obviously, this must have been the happening place of this Temple.
| Sabha Mandap (Courtesy Shrihari Koli) |
Antaral or Vestibul.
This is a passage that connects the Sabha Mandap to the Garbh Gruha, Sanctum Sanctorum, of this Temple. In olden days, the Sabha Mandap had natural light, the Garbha Gruha had oil lamps, and this passage used to be fully dark. Maybe it was to acclimate one's eyes to be able to see things in the Garbh Gruha, which had very dim light. Metaphorically, it is said that this passage helped people leave the mundane world behind, gather their thoughts, and focus their thoughts on the deity inside before transiting to the Garbha Gruha. In the present day, this passage is illuminated. There are some carvings here, too.
| Dwarpal at the entrance of the Antaral (Courtesy Shrihari Koli) |
The most sacred part of any temple is this place. In the Kopeshwer temple, the Garbha Grugha has a Shiva Linga and a Vishnu Linga. There is a mythological story behind the presence of both of them together in the Garbha Graha, related to Shiv and Sati (one can check this story on the internet). The connection of the Shri Kopeshwer temple with this story is that this is where Bhagwan Shiv, who got very angry due to Sati's self-immolation, was pacified by Bhagwan Vishnu. That explains the presence of. Vishnu Linga in the Grantha Gruha.
With this, we have finished visiting the Shri Kopeshwer temple. We saw the exterior of the temple, and we also visited all 4 main parts of the temple interior, namely. Swarga Mandap, Sabha Mandap, Antaral, and Garbha Gruha.
| Shri Shiva and Shri Vishnu Linga (Courtesy Shrihari Koli) |
Tit Bits
There is an Owl who has made this temple it's home for last few months. One can find it perched on one of the beam of this temple, mostly in Sabha Mandap
![]() |
| The Owl in the temple (Courtesy Capt Ravi Sohonee) |
Conclusion
This Temple is a jewel from every angle. Archaeological Survey of India (ASI) has big plans for the beautification of this complex, and the work is going on. Visiting this Temple is highly recommended. It would be best to reach one day prior and stay at Kurundwad or Narsobachi Wadi for the night (20 km from Khidrapur, which is still a village) and visit this Temple in the morning around 7 am for seeing the carvings, etc., peacefully, without much of a crowd and perfect natural lighting for photography.
Taking a guide for this visit is highly recommended to get properly introduced to all the sculptures and hear the stories that are connected to this Temple. There are many guides there; however, we took Shrihari Koli, a knowledgeable guide, and we were very happy with his explanations. He can be reached at 8208475295.
Don't wait. Go for this visit.
| Another photo of the temple (Bonus Photo, Courtesy Shrihari Koli) |
